Enough Already with Trashing ‘The Help!’

This is a film worthy of our praise. So why are black folks hating, as usual?

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The Help movie poster

First, a disclaimer: I did not read the book, The Help. I heard all about Kathryn Stockett’s compelling narrative offering the perspective of Black maids in the south in their own distinctive dialect. I ran out and bought it, opened it and began it, and then I came screeching to a halt.


I tried to get through it, mainly because so many friends whose opinions I respected and admired, loved it, and because it promptly became a bestseller–an actual force in the book industry–so I was curious as to what all the fuss was about. But I finally put it down for good. Why? Because I was never in the mood to put my head into that time and place; because I had to make too much of an effort to get into the maids’ so-called “dialect;” and because some better offer always seemed to come along.

Confession No. 2: I went to see The Help at a movie theater in the ‘hood, where I could sit with nothing but us so I could get a feel for our reaction in protected quarters. It’s clear that a larger audience has embraced this movie (to the tune of $28 million and counting), as it did the book. But, having read some of the controversy regarding our particularly visceral reactions to the film, I was eager to see that reaction firsthand.

So, what was the reaction in my theater in the Bronx? It was all… good: A few tears, smiles, and applause that rolled with the credits and lasted for quite a while. When’s the last time you heard that in a movie theater?

Octavia Spencer and Viola Davis deliver powerful performances in 'The Help'

What was all the clapping for? Incredible performances, for one. Viola Davis, who plays the main Black character, Aibileen, is a wonder to watch on screen and stage. If Meryl Streep is the Holy Grail for actresses in this country, Davis is right there with her. In a scene they did together in the movie Doubt, Davis, playing a small role to Streep’s starring one, stole it away. In this film, Davis is the star and she is phenomenal.

But so is Octavia Spencer, as her best friend Minny. This character has taken some hits for being an eye-rolling, joke-cracking stereotype, but anyone who has charged Spencer’s Minny with that has missed half the movie and all of her touching, nuanced performance. When the Oscar nominations are announced next year, both women’s names should be called. If they’re not, that may be the time to accuse Hollywood of racism! (Oscar-worthy kudos also go to costume designer Sharen Davis, whose own grandmother was a domestic in Louisiana.)

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  • Elie V. Parker

    For Over a Century, the Movie Industry has Stereotyped Blacks

    The media have used their communication power to portray Blacks in a negative way. Take for example the movie industry. For over a century, they have portrayed Blacks as weak, frightened, stupid, lazy and illiterate. You only have to look at the countless movies, TV shows, news programs and commercials to confirm this problem. The media started early with shows presenting Blacks in subordinate positions such as maids, butlers and chauffeurs. The early shows included ‘The Jack Benny Show’ with its Black butler. This set the stereotype for Blacks on TV and in the movies. The trend continued with the movie ‘Gone With the Wind’ and its slap-able Black maid, and who could ever forget ‘Driving Miss Daisy’ with its Black chauffeur at the wheel. Blacks are seldom shown as presidents, captains, scientist and lawyers. Blacks are most often shown as buffoons and clowns, many unable to speak well and often illiterate, weak, afraid and cowardly. This stereotype has left negative impressions in the minds of everyone who has come into contact with the movie and TV industry.

    Blacks need to build media companies that will present them in positive roles and leadership positions. The current media that shows Blacks in negative roles in the motives, on television, in advertising must be replaced.

    Source: “No Excuses – A Guide Out of Poverty” found on Amazon.com, Barnes and Noble.com and Createspace.com/3656573 by Elie V. Parker

    • Alfred Edmond, Jr.

      I have not seen “The Help” yet, so I can’t weigh in on the quality of the film and the performances of the actors, and the book the film is based upon is not likely to end up on my reading list. I don’t think anyone would argue that Hollywood has done enough to create quality, diverse roles for Black actors, much less opportunities to call the shots whether as studio executives or as heads of media companies (Tyler Perry being among the few exceptions to the rule). However, the statement that “Blacks are seldom shown as presidents, captains, scientists and lawyers” on film and TV took me aback. Are you kidding me? With all due respect Ms. Parker, I invite you to the 21st century. The age of black actors being relegated to butler, chauffeur and domestic film roles has long passed, primarily because most films are set in the present or the future, not the past. Morgan Freeman, the actor who played the chauffeur in “Driving Miss Daisy,” has in fact played the President of the United States (in the film “Deep Impact”) as well as the role of God himself (“Bruce Almighty,” “Evan Almighty”). Other black actors who have played U.S. Presidents in film and television include Dennis Haysbert (“24”), James Earl Jones (“The Man”), Chris Rock (“Head of State”), Terry Crews (“Idiocracy”) and Tommy “Tiny” Lister (“The Fifth Element”). Black actors in the roles of lawyer, entrepreneur, doctor, scientist, coach, detective, captain, general, CEO, etc. are far more common than you seem to recognize. Is it enough? No, it is not. But we have come far enough for black actors to not have to reject the role of a domestic solely out of the fear of being stereotyped and/or typecast.

  • Gail Evans


  • Sayo Martin

    This perspective is so on point and all that I’ve been trying to say over the past few weeks. Out of disclosure, I work for TakePart (a subsidiary of the production company that produced the Film – Participant Media), but I read the book long before I knew that the company would be making a film out of it. Did they do it justice? I was an English major, so I can always nitpick at adaptations, but this one just touched a bone in me forcing me to applaud. In a society where there is alot of fluff being put on screen, its nice to see a compelling story raising eyebrows, questions and stirring much needed dialogue and debate. And yes, its about women!! To say the least, I can’t wait for Oscar season!

  • Elie V. Parker

    The more we show Blacks as “The Help” the more Blacks will need help.

    Elie V. Parker

  • Bev

    Loved the movie and the book. Let’s celebrate the strong Oscar worthy performances put forth by Viola Davis and Octavia Spencer. They portrayed the strong, dignified, righteous women of the 60’s whose shoulders we stand on today. OK, maybe they were just house servants and yea, maybe they didn’t speak proper English. The lesson here is that they stood up for what they believed in and, in their own small way, changed the course of race relations in this country.

  • GirlTD

    I loved the book and enjoyed the movie. I agree with you about nurturing shame instead of the awe we should have for the generations before us and how far we’ve come. While I do agree that books usually are better than the film, I have to say that there were some major things in the book that were given just a quick mention onscreen, which would probably completely change peoples perceptions of these characters. What I loved about this story was the depth of friendship amongst these women that is sorely missing from the media today. Bravo for The Help

  • James Nelson

    Sorry, I’m a bit tired of seeing blacks in these types of roles, where at the end the white characters realize all their dreams, and the audience is left wondering (if they even think, or care at all) what happened to the black characters? What happened to those people after the fade to black? I know the playing field becomes a bit shaky when we get to do historicals, but honestly is that the palette of characters we get to play if any film is set more than 40 years ago? I don’t consider it “hating as black folk do” to voice the opinion that we want more substantial roles. How about a black protagonist that has a dream and doesn’t need a white person to cajole them into achieving it for a chance? I can no longer subscribe to the misguided notion they need to support “anything and everything” that Hollywood tosses our way that has black performances to show that we buy movie tickets and in hopes that they’ll give us more meaty roles. Enough time has passed to show that that particular strategy does not work.